SOCAN administers and protects the performing and reproduction rights of more than 150,000 songwriters, music publishers, composers, and visual artists. We offer an integrated approach to rights management and compelling solutions for our rights holders’ reproduction and performing rights. Through reciprocal agreements with more than 100 copyright collectives in 214 countries, we collect and distribute royalties internationally for the use of copyrighted works, connecting millions of creators worldwide.
The performing right is the right to perform a song or composition in public – such as in a live concert, background music, a radio or TV broadcast, a streaming playlist at a bar, or any other type of public performance. The performing right gives copyright owners of songs the sole right to perform, or authorize the performance in public, of their songs. SOCAN administers these performing rights on behalf of its members by collecting and distributing royalties when songs are publicly performed.
To have SOCAN manage your performing rights, sign up here.
The reproduction right gives rights holders’ of a song the sole right to authorize the reproduction of their work on various media, including CDs, records, and digital media. SOCAN administers these reproduction rights on behalf of the rights holders we represent by issuing licenses for the reproduction to such organizations as music labels and digital service providers.
The reproduction right gives rights holders' of an artistic work the sole right to authorize the reproduction of their work on various mediums, including paintings, drawings, sculptures, architectural works, engraving, photographs. SOCAN administers these reproduction rights on behalf of the rights' holder by issuing licenses for the reproduction of their members' works.
To learn more about reproduction rights, visit our Reproduction Rights Services page.
As Chairmen of Québec’s rap scene, the six members of Dead Obies are the incarnation of a bold, up-and-coming generation. They broke out in 2013 with Montréal $ud and followed up with 2016's Gesamtkunstwerk, a critical and popular juggernaut that mixed French and English. With little industry support, the SOCAN members topped of the sales charts in Québec, and reached the Top Five in Canada. Dead Obies have a very strong online presence, and totally embrace streaming platforms. They finished as Top Three finalists at the Francouvertes de Montréal in 2013, and have taken part in Francofolies de Montréal, “WordUP! Battles” and “Artbeat” events in Québec. They also won the Urban Music Award at the SOCAN Montréal Gala in 2017.