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Artists & Repertoire (A&R)

The A&R function has usually been associated with record labels, but with our large base of more than 150,000 members – including music publishers, who are especially adept at fostering collaboration – SOCAN realized that creating an A&R strategy would result in greater value for them. We help our incredibly talented and business-savvy members benefit from expanded opportunities. Intended to be completely complementary to the role of our music publishers, the A&R approach strives to optimize the industry contacts within a strong team, ensuring that SOCAN effectively recruits and retains the members necessary to build its regional, national, and global repertoire of songs and compositions. The A&R approach is aimed at helping our members engage with the marketplace, and collaborate within it, to a greater degree. Our A & R team use their industry contacts, and their talent-assessment, career-development, and people-connecting skills to assist all SOCAN members – not only songwriters, but screen composers and music publishers as well. SOCAN’s A&R strategy is our strongest effort yet to live up to our brand: “Music. People. Connected.”

Stephan Moccio
Member

Stephan Moccio

SOCAN member Stephan Moccio co-writes global hit songs. He co-wrote Céline Dion’s “A New Day Has Come,” which topped the Hot AC charts for 21 weeks; “I Believe,” the official theme of the 2010 Olympic Winter Games; Miley Cyrus’ “Wrecking Ball,” which has sold more than 5 million copies in the U.S. alone, and has gone gold, platinum, or multi-platinum in 14 countries worldwide; and The Weeknd’s “Earned It” – the end credit song for Fifty Shades of Grey – which earned an Oscar nomination, a Grammy win, and went platinum or multi-platinum in a dozen countries. Moccio is currently composing movie soundtracks in the upper echelons of Hollywood.