When your songs are played, by various businesses, around the world – whether live in concert (by you or anyone else), on the radio, online, on TV, in movies, in bars and restaurants, night clubs, arenas, etc. – SOCAN collects the money that’s owed for those performances and distributes it to you as royalties. SOCAN also educates, advises and mentors our songwriters on the craft and business of music. We advocate and lobby government on your behalf to ensure that your copyright is respected, and that you’re appropriately remunerated for the use of your work. We also tell your stories and celebrate your successes in our various SOCAN media platforms. When it comes to getting paid for performances of your songs, it’s our business to take care of you. We’ve got your back.
Ever since she burst onto the scene, SOCAN member Klô Pelgag has been like a breath of fresh air in the Francophone musical landscape. The singer-songwriter creates a universe populated by songs, baroque and absurd, that charm and surprise. Her finely-crafted music shines a spotlight on Pelgag’s instinctive desire to confront her own ways. Both her albums, L’Alchimie des monstres (2013) and L’Étoile thoracique (2016), were critically acclaimed, and have won many awards: the ADISQ, Prix Barbara, Révélation Radio-Canada, Prix Rapsat-Lelièvre, Prix Félix Leclerc de la chanson, and the 2017 SOCAN Songwriting Prize for her song “Les ferrofluides-fleurs,” which she co-wrote with Karl Gagnon.