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Streaming Services

Original songs and compositions are the engines that drive online music streaming: it simply wouldn’t exist without those who created the music on which their business depends. When you get Licensed To Play by SOCAN, not only are you compensating the songwriters and composers heard through your service, you’re also making sure that the music used to build your business is being used legally and ethically. The license fees streaming services pay to SOCAN for the public performance of music compensate  songwriters, composers and music publishers that make up SOCAN.
Question

How long do I have to submit a concert?

A.

The sooner we can identify what was performed, the sooner we can get the royalties to the right people. But we will not distribute or release any funds until we know where they should rightfully go. You have one year to report a new show you performed if it's not on the Unidentified Concerts List. Once we know the titles of the music that was performed at the concert, the rights holders will receive their deserved shares of royalties for any performance of their music at any licensed event. The Unidentified Concerts List covers performances up to three years old.

Michel Corriveau
Member

Michel Corriveau

Winner of the first-ever Screen Composer of the Year Award at the 2017 SOCAN Gala in Montréal, SOCAN member Michel Corriveau is an impressively artistic music creator. Corriveau creates sonic atmospheres using both sounds and instruments, juggling emotions, and combining tradition and high tech. Dozens of Québec productions have been graced with his compositions, including Bon Cop, Bad Cop (2007), Ésimésac (2013), Les Pays d’en haut (SRC), Mensonges (TVA) and Prémonitions (AddikTV), as well as the series from France, Versailles (Canal+). He’s also composed music for the feature film Anna, which was saluted at the Gala Québec Cinéma, the Prix Écrans canadiens, and rewarded at the Los Angeles Independent Film Festival Awards.