{"id":8375,"date":"2017-06-15T13:00:47","date_gmt":"2017-06-15T13:00:47","guid":{"rendered":"http:\/\/www.uatsocan.com\/?p=8375\/"},"modified":"2021-07-16T11:12:32","modified_gmt":"2021-07-16T15:12:32","slug":"2017-socan-songwriting-prize-finalists-vie-for-10000","status":"publish","type":"post","link":"https:\/\/www.socan.com\/fr\/2017-socan-songwriting-prize-finalists-vie-for-10000\/","title":{"rendered":"LES FINALISTES DE L\u2019\u00c9DITION 2017 DU PRIX DE LA CHANSON SOCAN PARTENT \u00c0 LA CONQU\u00caTE DE LA BOURSE DE 10\u2009000 $\u2009!"},"content":{"rendered":"<p><strong>Montr\u00e9al, le 15 juin 2017 \u2013\u00a0<\/strong>La SOCAN annonce aujourd\u2019hui les finalistes du\u00a0<a href=\"http:\/\/www.prixchansonsocan.ca\/\">Prix de la chanson SOCAN<\/a>, le prestigieux concours c\u00e9l\u00e9brant l\u2019incroyable talent des artistes canadiens \u00e9mergents au cours de la derni\u00e8re ann\u00e9e. La s\u00e9lection de 10 chansons francophones et 10 chansons anglophones refl\u00e8te une grande vari\u00e9t\u00e9 de genres musicaux. Une fois de plus, ce sont les fans de musique qui d\u00e9termineront le ou la gagnante et, pour la premi\u00e8re fois en 12 ann\u00e9es d\u2019existence du Prix, ils auront la possibilit\u00e9 de voter pour la m\u00eame finaliste \u2014 Charlotte Cardin \u2014 dans les volets francophones et anglophones d\u00e8s le 15 juin.<\/p>\n<p>Les 10 chansons francophones finalistes de l\u2019\u00e9dition\u00a02017 du Prix de la chanson SOCAN sont\u00a0:<\/p>\n<ul>\n<li><strong>\u00ab\u00a0Apprendre \u00e0 mentir\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite et interpr\u00e9t\u00e9e par\u00a0<strong>Lydia K\u00e9pinski<\/strong>\u2009; \u00e9dit\u00e9e par Chivi Chivi.<\/li>\n<li><strong>\u00ab\u00a0\u00c9clat\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par John Nathaniel, Mariane Cossette Bacon et Alexe Gaudreault\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Alexe Gaudreault<\/strong>\u2009; \u00e9dit\u00e9e par John Nathaniel prod et Musicor.<\/li>\n<li><strong>\u00ab\u00a0Explosif\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Vincent Banville, Gregory Beaudoin, Jonathan Quirion, Jean-Fran\u00e7ois Ruel, Pierre Savu-Mass\u00e9 et Charles-Andr\u00e9 Vincelette\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Dead Obies<\/strong>\u2009; \u00e9dit\u00e9e par Third Side Music.<\/li>\n<li><strong>\u00ab\u00a0Faufile\u00a0\u00bb<\/strong>\u00a0\u2013 \u00e9crite et interpr\u00e9t\u00e9e par\u00a0<strong>Charlotte Cardin<\/strong>.<\/li>\n<li><strong>\u00ab\u00a0J\u2019aurai 100 ans\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Am\u00e9lie Beyries et Maxime Le Flaguais\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Beyries avec Louis-Jean Cormier<\/strong>.<\/li>\n<li><strong>\u00ab\u00a0Je pense \u00e0 toi<\/strong>\u00bb \u2014 \u00e9crite et interpr\u00e9t\u00e9e par\u00a0<strong>Bernhari<\/strong>\u2009; \u00e9dit\u00e9e par Editorial Avenue.<\/li>\n<li><strong>\u00ab\u00a0L\u2019amour v\u00e9ritable est aux rebelles\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Xavier Dufour Th\u00e9riault, Jean-Philippe Godbout, Marc-Andr\u00e9 Landry, Julien Mineau, Ryan Battistuzzi et Jean-Cimon Tellier-Dub\u00e9\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Gazoline<\/strong>\u2009; \u00e9dit\u00e9e par Ambiances Ambig\u00fces\/L-Abe.<\/li>\n<li><strong>\u00ab\u00a0Les ferrofluides-fleurs\u00a0\u00bb\u00a0<\/strong>\u2014 \u00e9crite par Kl\u00f4 Pelgag et Karl Gagnon\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Kl\u00f4 Pelgag<\/strong>\u2009; \u00e9dit\u00e9e par Coop Les Faux-Monnayeurs.<\/li>\n<li><strong>\u00ab\u00a0Nord-Est\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Rosie Valland et Jessie Mac Cormack\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Rosie Valland<\/strong>\u2009; \u00e9dit\u00e9e par Ambiances Ambig\u00fces.<\/li>\n<li><strong>\u00ab\u00a0Rex\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Pierre-Luc B\u00e9gin, \u00c9liane Pr\u00e9fontaine, Julia Daigle et Vincent L\u00e9vesque\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Paupi\u00e8re<\/strong>\u2009; \u00e9dit\u00e9e par Lisbon Lux<\/li>\n<\/ul>\n<p>Pendant 2 semaines, du 15 au 29 juin 2017, la SOCAN invite tous les m\u00e9lomanes \u00e0 voter pour leur chanson pr\u00e9f\u00e9r\u00e9e sur le site du concours au\u00a0<a href=\"http:\/\/www.prixchansonsocan.ca\/\">www.prixchansonsocan.ca<\/a>\u00a0ou via Twitter en nommant l\u2019artiste pour qui vous d\u00e9sirez voter et en prenant soin d\u2019inclure le mot-clic\u00a0<strong>#MonvotePCS<\/strong>. Vous pouvez voter une fois par jour sur chacune des plateformes et pour une chanson dans chacune des langues officielles.<\/p>\n<p>Les chansons gagnantes devraient \u00eatre annonc\u00e9es autour du 10 juillet 2017.<\/p>\n<p>Le grand gagnant remportera une bourse de 10\u2009000\u00a0$, une guitare\u00a0<a href=\"http:\/\/www.epiphone.com\/Products\/Acoustic-Electric\/Masterbilt-Olympic.aspx\">Epiphone Masterbilt Century Olympic<\/a>,\u00a0<a href=\"https:\/\/ca.yamaha.com\/en\/products\/musical_instruments\/keyboards\/arranger_workstations\/psr-s970\/index.html\">un clavier Yamaha\u00a0PSR-S970<\/a>, et un ch\u00e8que cadeau de 500\u00a0$ de\u00a0<a href=\"https:\/\/www.long-mcquade.com\/\">Long &#038; McQuade<\/a><u>.<\/u><\/p>\n<p>\u00ab\u00a0Le Prix de la Chanson SOCAN met en piste des talents qui sont en d\u00e9but de carri\u00e8re et sur qui nous souhaitons braquer nos projecteurs afin de les aider \u00e0 rayonner encore davantage, explique la chef des affaires du Qu\u00e9bec \u00e0 la SOCAN Genevi\u00e8ve C\u00f4t\u00e9. La cuv\u00e9e 2017 est diversifi\u00e9e, tant par les genres de musique que par le genre des interpr\u00e8tes qui sont, sans qu\u2019on ait appliqu\u00e9 aucun quota, en majorit\u00e9 f\u00e9minines ; nous en sommes ravis. On trouve dans ce palmar\u00e8s du hip-hop, de la chanson orchestrale, de la pop, du folk et du rock, ce qui prouve que la musique francophone n\u2019est pas monocorde, ni monotone. H\u00e2te de voir qui en sortira gagnant ! \u00bb<\/p>\n<p>Les finalistes des volets anglophone et francophone sont s\u00e9lectionn\u00e9s par des panels ind\u00e9pendants respectifs compos\u00e9s de 15 figures de proue de l\u2019industrie de la musique qui choisissent chacun deux pi\u00e8ces d\u2019auteurs-compositeurs canadiens \u00e9mergents qu\u2019ils jugent artistiquement sup\u00e9rieures parues au cours de la p\u00e9riode d\u2019admissibilit\u00e9 (voir le\u00a0<a href=\"http:\/\/www.prixchansonsocan.ca\/reglement\/\">r\u00e8glement du concours<\/a>\u00a0pour tous les d\u00e9tails). Les chansons finalistes sont ensuite collig\u00e9es, pass\u00e9es en revue et soumises \u00e0 un vote des membres du jury afin de d\u00e9terminer les 10 finalistes. La SOCAN n\u2019a aucun r\u00f4le \u00e0 jouer dans la d\u00e9termination des finalistes ou des gagnants.<\/p>\n<p>Les 10 chansons anglophones finalistes cette ann\u00e9e sont\u00a0:<\/p>\n<ul>\n<li><strong>\u00ab\u00a0Acid Test\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Tommy Paxton-Beesley, Thadeus Gardwood, Johnathan Mavrogiannis et Dan Voicu\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>River Tiber<\/strong>\u2009; \u00e9dit\u00e9e par Raise Your Hands Music [Arts &#038; Crafts Music].<\/li>\n<li><strong>\u00ab\u00a0Big Boy\u00a0\u00bb<\/strong>\u00a0\u2013 \u00e9crite et interpr\u00e9t\u00e9e par\u00a0<strong>Charlotte Cardin<\/strong>.<\/li>\n<li><strong>\u00ab\u00a0DVP\u00a0\u00bb<\/strong>\u00a0\u2013 \u00e9crite par Stefan Babcock, Nestor Chumak, Zachary Mykula, Steve Sladkowski<strong>;\u00a0<\/strong>interpr\u00e9t\u00e9e par\u00a0<strong>PUP<\/strong>.<\/li>\n<li><strong>\u00ab\u00a0Figures\u00a0\u00bb\u00a0<\/strong>\u2014 \u00e9crite par Jessie Reyez, Bjoran Johan, Tobias Frelin et Blake Carter\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Jessie Reyez<\/strong>\u2009; \u00e9dit\u00e9e par BMG Rights Management.<\/li>\n<li><strong>\u00ab\u00a0Glowed Up\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Kevin Celestin et Brandon Anderson\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Kaytranada et mettant en vedette Anderson.\u00a0<\/strong><strong>Paak<\/strong>\u2009; \u00e9dit\u00e9e par Watch and Learn\/BMI, PULSE, Casablanca Publishing.<\/li>\n<li><strong>\u00ab\u00a0Push + Pull\u00a0\u00bb<\/strong>\u00a0\u2014 \u00e9crite par Thomas D\u2019Arcy, Ian Docherty, Peter Dreimanis, Leah Goldstein, Danny Miles et Josh Warburton\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>July Talk<\/strong>; \u00e9dit\u00e9e par July Talk Music Inc., GalleryAC Music.<\/li>\n<li><strong>\u00ab Shithole \u00bb<\/strong>\u00a0\u2013 \u00e9crite par Jasmyn Burke et Morgan Waters\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Weaves<\/strong>.<\/li>\n<li><strong>\u00ab\u00a0We Don\u2019t Know\u00a0\u00bb\u00a0<\/strong>\u2014 \u00e9crite par Jeremy Drury, Jonathan Hembrey, Darryl James, Brian Pickett, David Ritter, Isabel Ritchie et Joanne Setterington\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>The Strumbellas<\/strong>; \u00e9dit\u00e9e par Domino Music Publishing.<\/li>\n<li><strong>\u00ab Won\u2019t Live Here \u00bb<\/strong>\u00a0\u2013 \u00e9crite par Ashton Simmonds, Jordan Evans, Matthew Burnett, Tommy Paxton-Beesley, Ian Culley et Alexander Ernewein\u2009; interpr\u00e9t\u00e9e par\u00a0<strong>Daniel Caesar<\/strong>\u2009; \u00e9dit\u00e9e par Kobalt Music Publishing et Raise Your Hands Music [Arts &#038; Crafts Music].<\/li>\n<li><strong>\u00ab Work \u00bb<\/strong>\u00a0\u2013 \u00e9crite et interpr\u00e9t\u00e9e par\u00a0<strong>Charlotte Day Wilson<\/strong>\u2009; \u00e9dit\u00e9e par Raise Your Hands Music [Arts &#038; Crafts Music].<\/li>\n<\/ul>\n<p>Pour demeurer au fait des derni\u00e8res nouvelles, suivez le Prix de la chanson SOCAN sur Twitter \u2013\u00a0<a href=\"https:\/\/twitter.com\/SOCANmusique\">@SOCANMusique<\/a>\u00a0et en utilisant le mot-clic #PrixSOCAN, ainsi que sur Facebook \u2013\u00a0<a href=\"https:\/\/www.facebook.com\/SOCANmusique\/\">facebook.com\/SOCANMusique<\/a>.<\/p>\n<p>Les gagnants des pr\u00e9c\u00e9dentes \u00e9ditions du volet francophone du Prix de la chanson SOCAN\u00a0: Laurence Nerbonne, \u00ab\u00a0R\u00eaves d\u2019\u00e9t\u00e9\u00a0\u00bb (2016)\u2009; Antoine Corriveau \u2014 \u00ab\u00a0Le Nouveau vocabulaire\u00a0\u00bb (2015), Patrice Michaud \u2014 \u00ab\u00a0M\u00e9caniques g\u00e9n\u00e9rales\u00a0\u00bb (2014), Keith Kouna \u2013 \u00ab\u00a0Batiscan\u00a0\u00bb (2013), Koriass \u2013 \u00ab\u00a0St-Eustache\u00a0\u00bb (2012), Galaxie \u2014 \u00ab\u00a0Piste\u00a01\u00a0\u00bb (2011), Vulgaires Machines \u2014 \u00ab\u00a0Parasites\u00a0\u00bb (2010), Bernard Adamus \u2013 \u00ab\u00a0La question \u00e0 100\u00a0piasses\u00a0\u00bb (2009), Karkwa \u2013 \u00ab\u00a0Oublie pas\u00a0\u00bb (2008), Tricot Machine \u2014 \u00ab\u00a0L\u2019Ours\u00a0\u00bb (2007), \u00c8ve Cournoyer \u2014 \u00ab\u00a0Tout arrive\u00a0\u00bb (2006).<\/p>\n<p>Les gagnants des pr\u00e9c\u00e9dentes \u00e9ditions du volet anglophone du Prix de la chanson SOCAN\u00a0: Fast Romantics, \u201cJulia\u201d (2016); Dear Rouge \u2013 \u00ab\u00a0I Heard I Had\u00a0\u00bb (2015), Alejandra Ribera \u2013 \u00ab\u00a0I Want\u00a0\u00bb (2014), Mo Kenney \u2013 \u00ab\u00a0Sucker\u00a0\u00bb (2013), Kathleen Edwards \u2013 \u00ab\u00a0A Soft Place to Land\u00a0\u00bb (2012), Katie Moore \u2013 \u00ab\u00a0Wake Up Like This\u00a0\u00bb (2011), Brasstronaut \u2013 \u00ab\u00a0Hearts Trompet\u00a0\u00bb (2010), D-Sisive \u2013 \u00ab\u00a0Nobody With a Notepad\u00a0\u00bb (2009), The Weakerthans \u2013 \u00ab\u00a0Night Windows\u00a0\u00bb (2008), Abdominal \u2013 \u00ab\u00a0Pedal Pusher\u00a0\u00bb (2007), Propagandhi \u2013 \u00ab\u00a0A Speculative Fiction\u00a0\u00bb (2006).<\/p>\n<p><strong>\u00c0 propos de la SOCAN<br \/>\n<\/strong>La SOCAN est le trait d\u2019union entre plus de 4 millions de cr\u00e9ateurs musicaux partout dans le monde et plus d\u2019un quart de million d\u2019entreprises et d\u2019individus au Canada. Son effectif de membres compte pr\u00e8s de 150\u2009000 auteurs, compositeurs et \u00e9diteurs de musique, tandis que plus de 130\u2009000 entreprises d\u00e9tiennent une licence Autoris\u00e9 \u00e0 vous divertir \u00e0 travers le Canada. Gr\u00e2ce \u00e0 son utilisation concert\u00e9e de la technologie et \u00e0 son engagement d\u2019\u00eatre le leader mondial de la transformation des droits musicaux \u2014 notamment \u00e0 travers ses filiales en propri\u00e9t\u00e9 exclusive Audiam et MediaNet \u2014, la SOCAN se d\u00e9die \u00e0 la d\u00e9fense d\u2019une v\u00e9rit\u00e9 fondamentale\u00a0: la musique a une valeur et les cr\u00e9ateurs et \u00e9diteurs de cette musique m\u00e9ritent d\u2019\u00eatre r\u00e9mun\u00e9r\u00e9s \u00e9quitablement pour leur travail.<\/p>\n<p><strong>Contacts m\u00e9dia\u00a0:<br \/>\n<\/strong><strong>Capital-Image (pour la SOCAN)\u00a0:\u00a0<\/strong>Marc-Andr\u00e9 Dufresne, 514-739-1188, poste 235\u00a0<u><a href=\"mailto:madufresne@capital-image.com\">madufresne@capital-image.com<\/a><br \/>\n<\/u><strong>SOCAN\u00a0:\u00a0<\/strong>Eric Parazelli, 514-844-8377, poste 4934,\u00a0<u><a href=\"mailto:eric.parazelli@socan.com\">eric.parazelli@socan.com<\/a><\/u><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A first for the prize: one nominee in both French and English<br \/>\nPublic online and social media voting begins June 15th<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[242],"tags":[],"class_list":["post-8375","post","type-post","status-publish","format-standard","hentry","category-media-release"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LES FINALISTES DE L\u2019\u00c9DITION 2017 DU PRIX DE LA CHANSON SOCAN PARTENT \u00c0 LA CONQU\u00caTE DE LA BOURSE DE 10\u2009000 $\u2009!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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