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Composers

If you’re a composer whose music has been performed, you should join SOCAN in order to claim the money that you’ve earned in royalties for the use of that music. If you’re an screen composer whose scores are performed in movies or on TV, SOCAN obtains information related to those performances globally, collects the money that’s owed for them, and distributes it to you as royalties. If you’re a new classical composer whose symphonies, operas, suites, chamber music, choral work, or other pieces have been performed in SOCAN-licensed concert halls, auditoriums, conservatories or other venues, SOCAN similarly collects your royalties and pays them to you. We also lobby government to ensure that your copyright is respected, and that you’re appropriately remunerated for the use of your work. When it comes to getting paid for performances of your work, it’s our business to take care of you.

Question

What are “Unidentified Concert” performances?

A.

SOCAN maintains a list of Unidentified Concert Performances in the members’ secure section of socan.com. Simply log in, then go to SOCAN Performances & Repertoire, select Unidentified Performances, then select concerts with no set lists. We encourage you to search that list for any concerts where you believe your music was performed, and for that matter, any other unpaid concerts of which you may be aware. We need your help to get you paid.

Michel Corriveau
Member

Michel Corriveau

Winner of the first-ever Screen Composer of the Year Award at the 2017 SOCAN Gala in Montréal, SOCAN member Michel Corriveau is an impressively artistic music creator. Corriveau creates sonic atmospheres using both sounds and instruments, juggling emotions, and combining tradition and high tech. Dozens of Québec productions have been graced with his compositions, including Bon Cop, Bad Cop (2007), Ésimésac (2013), Les Pays d’en haut (SRC), Mensonges (TVA) and Prémonitions (AddikTV), as well as the series from France, Versailles (Canal+). He’s also composed music for the feature film Anna, which was saluted at the Gala Québec Cinéma, the Prix Écrans canadiens, and rewarded at the Los Angeles Independent Film Festival Awards.